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Federica Ridolfi beautiful Lingerie pictures

Federica Ridolfi is an Italian dancer and a hostess on television.Federica Ridolfi appeared in various TV shows in Italy. She is a daughter of an actor Gianni Ridolfi and is engaged to a soccer player Giuliano Giannichedda. Federica Ridolfi starred in Quelli che... il calcio, live sport, comedy and music TV show that announces in real time goal of Italian Soccer Championship, with Simona Ventura.

Susan Boyle Gets Fastest Selling Album In UK

Susan Boyle has become a record breaker after selling 410,000 copies of her debut album 'I Dreamed A Dream'. The album was released on Monday and easily outsold X Factor's JLS to become the #1 album in the UK. The Britain's Got Talent runner-up has gone into the record books for having the fastest selling UK debut album, and looks certain to continue the celebrations as the album has been causing SuBo fever in the USA.

The Princess and the Frog (2009)

Young viewers of The Princess and the Frog won't give a croak that the marvelous new adventure from Walt Disney Animation Studios has been created using the same hand-drawn, 2-D techniques that entertained those viewers' Bambi-loving grandparents more than 65 years ago. But adults should: This old-fashioned charmer holds its own beside the motion-capture elegance of Disney's A Christmas Carol, the engrossing stop-motion universes of Coraline and Fantastic Mr. Fox, the CG-enhanced genius of Up, the wonder of 3-D technology, and, indeed, the unique, hand-drawn Japanese artistry of Hayao Miyazaki's Ponyo as the year's deepest, most affecting, and most inventive movies.
Still, for the greenest or the grayest in the audience, the inclusive story of a resourceful African-American girl in 1930s New Orleans who kisses a frog with unexpected, funny results is its own reward: This A-level, G-rated entertainment is a fresh twist on the classic fairy tale about a handsome prince temporarily out of commission due to a malicious magic spell, a royal catch requiring the smooch of the right kindhearted, risk-taking heroine to restore him to his waiting throne. (As an added benefit, the smoocher gets to stand alongside her royal as his princess.) Only this time, the kiss that the lovely heroine, Tiana (voiced by Anika Noni Rose), bestows on frog-bodied Prince Naveen (Bruno Campos) backfires. He ends up in the same shape that he hopped into — and Tiana turns amphibian too. The patient, beautiful, hard-working, entrepreneurial young woman is particularly irked because she has no desire to be a princess at all; what she really wants to do is open her own restaurant.

Great swampy mess! The race to restore happily-ever-after order involves a jazz-loving alligator named Louis (Michael-Leon Wooley); Ray (Jim Cummings), a bebopping Cajun firefly; Dr. Facilier (Keith David), a shady New Orleans gent who dabbles in dark arts; and Mama Odie (Jenifer Lewis), ancient royalty of the bayou magic world with the power to undo Dr. Facilier's treachery. And this being the Disney kingdom under the beneficent creative rule of veteran directors Ron Clements and John Musker (The Little Mermaid, Aladdin) and composer Randy Newman (Cars, Toy Story), the frolic also includes songs of gumption (''Almost There''), mischief (''Friends on the Other Side''), optimism (''When We're Human''), spiritual uplift (''Dig a Little Deeper''), and the love of something up above — in this case, an evening star (''Ma Belle Evangeline'').
But while little kids laugh at the froggy humor (summed up in the excellent, repeated punchline ''that's not slime you are secreting — it's mucus!''), the firefly antics, and the cute sight of a fat alligator wailing on his trumpet like Louis Armstrong, adult viewers are rewarded with something more moving — a Proustian remembrance of the durable power of Disney at its old-school best. The filmmakers trust in story over special effects, and character over celebrity voices (there are almost none here, save for a brief cameo by queen-of-all-she-surveys Oprah Winfrey as Tiana's saintly mother, Eudora). They steep the movie in colloquial American culture. They offer a sophisticated musical experience (ragtime, zydeco, gospel, Tin Pan Alley) accessible even to the youngest ears. And in doing so, the creative team behind The Princess and the Frog upholds the great tradition of classic Disney animation.
The Princess and the Frog happens to introduce an African-American heroine, a Disney animation first. The story also happens to be set in an idealized New Orleans of an earlier time, a city whose historic beauty and cultural importance will forever be filtered by contemporary adults through grimmer awareness of the natural and man-made disasters of Hurricane Katrina. It's all the more effective, though, that this Big Easy of a movie needs no overt mention of Katrina to move our hearts, and inserts no overt lesson in the history of civil rights to distract from the groundbreaking matter-of-factness of Tiana's equality. What matters is that Tiana triumphs as both a girl and a frog, that dreams are fulfilled, wrongs are righted, love prevails, and music unites not only a princess and a frog but also kids and grown-ups.

Why Neha Dhupia is playing second fiddle to Katrina Kaif?

Neha Dhupia has been around for more than six years now and has done films as diverse as "Mithya" and "Julie". But she neither believes in boasting about her body of work nor is she keen to approach leading actors and filmmakers to rope her in for their films."This is the way I have been throughout my career. I am not the type who would go and tell everyone what I have done in the past," Neha told. After having debuted opposite Ajay Devgn in "Qayamat" (2003), she has worked in close to 30 movies. "What's the point in doing that when you have your work to speak for itself? This is not to say that I am less ambitious than anyone. I work as hard as anyone else. It's just that I can't serve myself on a platter," she said.This is the reason why she is not complaining even if she is playing a supporting role in films like "Singh Is Kinng" and just released "De Dana Dan" with Katrina Kaif as the leading lady opposite Akshay Kumar."There is a thin distinction between lead and supporting roles today. You may not be a romantic lead in a film, but then you have to see the kind of value you bring to a film."For example, when Vipul approached me for 'Singh Is Kinng', I asked him why he was giving me that role. When he told me that he could visualise only me to be doing that role, I took it as a backhanded compliment."Same held true for "De Dana Dan" where Priyadarshan felt that he could see a naughty opportunist girl in her. In the film, Neha plays a club singer who has a 'bindaas' attitude towards life and is a 'huge advantage taker'. "I am happy that he felt so. My role is quite spunky in 'De Dana Dan'. There is a lot of spark in it."When it comes to commercial cinema, I have to thank people like Vipul, whose sensibilities I completely agree with, and Priyan Sir, with whom I have worked in 'Chup Chup Ke' and 'Garam Masala' earlier. They have always approached me whenever there is something good in the offing," Neha said. However, she has the trio of Rajat Kapoor, Saurabh Shukla and Vinay Pathak to thank for the complete shift in mindset that she went through at a crucial phase of her career. "These are the people responsible for opening up different avenues for me. By working in movies like 'Mithya', 'Raat Gayi Baat Gayi', 'I Am 24' and 'Pappu Can't Dance Saala', there is an altogether different dimension that I have been able to explore."I owe a lot to them," said Neha who is happy to be juggling between hardcore commercial mainstream movies and new age offbeat cinema.

The Road

Here's a tip: If you see one austerely hopeless movie this year about a father and son wandering through a junk-strewn postapocalyptic wilderness as they struggle to fight off demons of fear, madness, and starvation, not to mention roving bands of cannibalistic killers, then by all means make that movie The Road. In this adaptation of Cormac McCarthy's revered 2006 novel, Viggo Morten-sen, caked in grime, plays the father with a fierce physicality and tremulous woundedness. The film has one other thing going for it: Visually, it's one of the most spookily convincing, least ''movieish'' visions of a bombed-out wasteland future I've ever seen. (It's never stated that there was a nuclear war, a meteor, or whatever, but there's an ashy deadness to everything on screen.) The wreckage and twisted clutter, some of it spectacular, doesn't seem as if it was planted there by a set designer; it's an organic part of the landscape. This debris has integrity, almost the way the ruined city in Full Metal Jacket did.

Yet The Road, for all its vivid desolation, remains a curiously unmoving experience — or maybe not so curious, given that nothing really happens in it. In the novel, McCarthy played off postapocalyptic Hollywood thrillers, and so he gave you the heady feeling that you were seeing a movie unfold on the page. Yet he brought off that feat without much action; the backdrop was grand, the emotions interior and refined. That's a problem when The Road is done as a movie: It's like a zombie thriller drowning in tastefully severe art-house gloom. The darkest note in the story — it's what no conventional sci-fi blockbuster would dare to include — is the Mortensen character's despairing realization that he must be prepared at any moment to fire a bullet into his beloved son should they be captured, since the bandits who roam the land would rape and kill the boy if he didn't. That's a haunting thing to live with, and saucer-eyed Kodi Smit-McPhee plays the son with touching half-aware innocence. But that's not enough to save the movie from its creeping inertness.

The Road was originally set to come out last year, and in one sense the decision to delay its release was karmically right, since (like 2012) it addresses the current mood of nerve-jangling anxiety and doom. Yet the timing also works against the film. There's enough foreboding in America right now to make sitting through a movie such as The Road seem like one more heavy burden that, frankly, no one needs.

Old Dogs

Six-year-old boys may laugh at the bowwow of a comedy Old Dogs. But then, 6-year-old boys laugh at the word poop — and the word poop plays a big steaming part in this stinky endeavor. So does the sight of Japanese businessmen getting hit in the crotch with golf clubs. And the sound of Robin Williams' dignity flushing further down the pipes. Williams and John Travolta play old pals in their 50s, a cartoonish sad-sack divorcé and a cartoonish bachelor swinger, respectively, whose odd-couple routines are upended by the arrival of 7-year-old fraternal twins that Williams' character never knew he had. (Travolta's wife, Kelly Preston, plays the kids' mom, and Ella Bleu Travolta debuts as the girl twin.)

Exhausted as the premise already is — hapless boomer learns that real manhood is a function of committed fatherhood — Old Dogs nevertheless finds ways to make the lesson even less tolerable. Directed by Walt Becker (who handled Travolta in Wild Hogs with similar material), the movie includes an interminable scene of the men taking the wrong medications for their various boomer ailments, with weirdly horrible comedic side effects. In other awful interludes, they and their many ill-used guest stars are shot in disfiguring close-ups. The late comedy king Bernie Mac (who died in August 2008) is among those guests, a clue that this movie is an old dog indeed.

Shilap and Raj on honeymoon after honeymoon

The Kundra family is not yet full with their share of celebrations. After the grand and detailed wedding ceremonies and parties, Raj Kundra and Shilpa Shetty Kundra have some exhilarating holiday plans once they are done with their honeymoon. Raj has decided to take his as well as Shilpa's family for a Mediterranean cruises once they are back from their honeymoon.According to Shilpa, she and Raj will be going to the Bahamas for their honeymoon and once they return, Raj will be taking the entire family, which will be all the Shettys and the Kundras, on a Christmas Mediterranean cruise.As both their families had a tiring time arranging everything for the entire celebration, Raj felt that it was a well-deserved break that each one of the families needed. When asked about juggling her time between Mumbai and London, Shilpa said she had no intentions to move to London and is pleased with the fact that now she has two homes and she would be constantly traveling to and fro. The duo left for Tirupathi yesterday to seek divine blessings.

Lindsay Lohan poses topless for Purple magazine

If sources are to believe actress Lindsay Lohan, who has earlier turned down a $700,000 offer to pose nude for 'Playboy' magazine, has now gone topless for a new photoshoot with French fashion magazine 'Purple'.

The Mean Girls star appears topless in a series of sexual poses in the provocative Terry Richardson shots, which will feature in an upcoming issue of the publication, reports Contactmusic.

According Life & Style mag, in one steamy snap, Lohan simulates a threesome with a male and female model.

However this is not that Lindsay has foray into naked pics. In 2007, Lindsay bared her breasts in a 'New York' Magazine photo tribute to film icon Marilyn Monroe.

Ninja Assassin

The folks at the MPAA must have been snoozing when Ninja Assassin came up for its rating. Because this slick slice of martial-arts mayhem from the producers of The Matrix is awash in blood. It spurts and sprays in geysers. And it never lets up. There's a brutal (and admittedly very cool) fight scene every five minutes.

What story there is revolves around a ninja (Korean pop star Rain) who teams with a sassy Europol agent (Naomie Harris) to get payback on the clan who trained him to be a heartless assassin. But let's be honest, killing is this film's business...and business is good.

The Private Lives of Pippa Lee

If anyone can knit the unraveling title character in The Private Lives of Pippa Lee into a recognizable woman, it's Robin Wright. Always an actor of great physical loveliness, the star, now in her 40s, has a unique talent for conveying the minute mood shifts of an adult woman wised up by her own aging. She's pleasing as ever to watch in this high-class production by writer-director Rebecca Miller (Personal Velocity), adapted from Miller's own novel. But the rarefied dramatique circles in which Pippa (literally) sleepwalks are such a mess of highfalutin complications that it's impossible to empathize with the sad, lost, fragile heroine. (She's much more relatable in the novel.) The mix is Lifetime soap–meets–Woody Allen smart-set comedy, with less humor and a genteel Connecticut setting.
This we know: Pippa is married to a much older man, Herb (Alan Arkin), a successful publisher who left his wife (Monica Bellucci) for Pippa when the former Pippa Sarkissian was a crazy, drug- and sex-addled filly (played, in flashback, by Gossip Girl's Blake Lively). Now while Herb makes eyes at a new younger, crazy woman (Winona Ryder), Pippa somnambulates her way into a bond with her neighbor's emotionally trip-wired son (Keanu Reeves). The name-brand cast gives the movie buzz, but no velocity.

Britney Spears was molested by her father

Singer Courtney Love has alleged that pop star Britney Spears was molested by her father, Jamie.The late Kurt Cobain’s wife made the shocking claim on her Facebook page, reports the Daily Telegraph.She wrote, "Britneys dad molested her, imagine the father that molested you owning you for slavery while your forced to sing songs picked for their sexual content every night, insane right?"She added, "I have it on First had authority, and fight as hard as she is and does she still didnt pull that card, it's a pride thing I can relate to, However they want to play dirty, lets go, Im SO not affraid of the little trolls who hit this when I was f***** up who are called lawyers. lets GO."

Katie Price begs Peter Andre to take her back

Katie Price has made an emotional phone call to ex-husband Peter Andre begging him to reconcile but the Australian singer doesn't want to reunite with her."Please take me back," thesun.co.uk quoted her as saying. She also apologised for being a "bitch" to him and pleaded for a reunion, saying: "I messed up." A friend of Andre said: "She said she was sorry for being such a bitch to him. She asked him straight out if there was any chance they could get back together and pleaded for a reunion. She was telling him she just couldn't stop thinking of him and their life together."Andre's friend also revealed that Katie Price, also known as Jordan, told her ex-husband that her romance with cross-dressing cage fighter Alex Reid had been "a mistake" and was over.Katie Price made the call Monday moments after quitting ITV's "I'm A Celebrity" reality show in Australia.It is thought Andre, 36, was the second person she phoned after her mum Amy. Jordan, 31, told him that her time in the jungle had brought memories of their love flooding back.The two met and fell for each other in 2004's "I'm A Celeb". They went on to marry and have two kids - Junior, four, and Princess Tiaamii, two. The kids are being looked after by Andre at his Brighton home along with seven-year-old Harvey, Jordan's son by footballer Dwight Yorke."Katie told him she even dreamed of him at night but would wake up to realise he wasn't there, and feel sad. She was being the Katie Pete fell in love with in the first place," said the friend.The friend told how Andre was shocked by the call and felt sick Jordan had "dared" to ask him to take her back. "He just assumed she wanted to speak to the kids, which she eventually did. But then she came out with all this stuff about how she missed him and knew she had been an idiot. The idea of a reunion is not something Pete would even consider. They are divorced and that's it," said the friend.A spokesman for Jordan confirmed the news saying: "Katie did speak with Pete, primarily about the children."

Me and Orson Welles

Richard Linklater's Me and Orson Welles is an amiable period-piece showbiz comedy set in 1937, when Welles, then 22, first blasted his way into the orbit of fame with his Mercury Theatre production of Julius Caesar. There's one great reason to see the movie, and that's Christian McKay's performance as Welles. He looks just like him — the boy-man face rounded out with a little too much baby fat, the eyes that twinkle with all-knowing charm. And McKay does an altogether uncanny impersonation of Welles the debonair egomaniac, who cut a swath through the Broadway world of stunned producers and leggy chorus girls. McKay gets that melting-butter voice to a T, and he makes the energy of Welles' genius contagious.

I wish I could say that the whole film was that good. Linklater has framed the weeks of rehearsal leading up to the premiere of Julius Caesar as the story of a naive young actor who talks his way into Welles' stock company. But Zac Efron, who plays this bushy-tailed rube, is mostly a cute blank here; when he woos the Mercury Theatre's secretary (Claire Danes), we seem to have landed in one of Woody Allen's more halfhearted fables. Except for McKay, Me and Orson Welles has so little fire that Welles himself would have wondered out loud what he was doing stuck in the middle of it.

Defamation (2009)

This brave documentary takes on the topic of anti-Semitism in a relentlessly probing and original way. The director of Defamation, Yoav Shamir, is an Israeli who has grown disillusioned with the way his country's fixation on the Holocaust has, in his view, devolved from a moral necessity into a corrosive ideology of fear. Shamir intercuts teens from Israel on a field trip to Auschwitz; a complexly skeptical look at Abe Foxman, head of America's Anti-Defamation League; and a portrait of the ire faced by authors like Norman Finkelstein, who claims that anti-Semitism is now exaggerated by its victims.

The Missing Person

Director Noah Buschel's melancholic neo-modern yarn about a hard-drinking private eye (Revolutionary Road's Michael Shannon) tracking a man reported missing is overly fussy and self-conscious in its noir details. But in The Missing Person, Buschel makes striking use of the Mike Hammer/Philip Marlowe tradition to tell a story of disorientation and loss in a post-9/11 world where the Twin Towers can go missing too.

As Shannon mumbles interestingly into a whiskey glass, he's abetted by a cool, theater-wise cast that includes Amy Ryan, Linda Emond, and Margaret Colin.

Tamara Bleszynski New Photo Edition

Tamara Natalia Christina Mayawati Bleszynski famous by the name Tamara Bleszynski (was born in Bandung, West Java, Indonesia, December 25, 1974) is Indonesian actress and model. Tamara was born of a father who bled Zbignew Bleszynski Poland and mother Farida Gasik bloody Sundanese.

Song Promo Alisha From Movie PYAAR IMPOSSIBLE

watch the song promo of "Alisha" from movie "Pyaar Impossible" starring Priyanka Chopra and Uday Chopra

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Nola AB Three

Riafinola Ifanisari or Nola is the star singers who joined in the pop girl group trio, AB Three. Where other personnel consist of, and Widi cyntia Mulia. She born in Bukittinggi, August 11, 1978 was recorded a 'core personnel' since AB Three formed.

Emma Rigby black bikini pictures

Emma Catherine Rigby is an English actress, best known for her role in Hollyoaks as Hannah Ashworth.In 2007, at the age of 17, Rigby was nominated for Best Actress in the British Soap Awards, (just 1 year late to qualify for Best Dramatic Performance For A Young Actor/Actress) but did not make it to the final 4. She was also nominated for Most Popular Actress at the National Television Awards. Just one year later, she won The British Soap Award for Best Actress and was nominated for Best Dramatic Performance but lost out to Jo Joyner.

Daniela Pestova lingerie pictures

Daniela Pestova is a Czech model. She was born in Teplice, Czechoslovakia, and was discovered by the Madison Modeling Agency's Dominique Caffin. She had plans to attend college but after winning a modelling contest she moved to Paris to sign with Madison Modeling Agency. She moved to New York and from there her career took off. She has appeared on the covers of GQ, Marie Claire, Cosmopolitan, Glamour and ELLE. She has been modelling for the Sports Illustrated Swimsuit Issue for years and appeared on the cover three times, in 1995, 2000 and 2006. In addition to working with photographers on her Sports Illustrated shoots, she was the subject of Joanne Gair's inaugural body painting works as part of the Sports Illustrated Swimsuit Issue.

Tara Reid in white bikini at miami beach